In the music business, problems with song ownership and fair pay have long been common. Rembrandt, Vincent van Gogh, and Paul Gauguin, three of the best artists in history, all died without getting enough money for their work.
Web 3.0 provides artists with more funding options and audience linkages
Many vinyl fans contend that the aesthetic beauty of vinyl has been lost in favor of streaming’s immediate results and shuffle and repeat options. In the past, musicians anticipated that listeners would sit on the couch, appreciate the record cover art, and listen to an album straight through.
There are still some traditional music listeners that do it, but they are in the minority.
Even though the way we listen to music has changed a lot, most of the money that musicians have access to has stayed the same.
As in the past, touring is the majority of musicians’ main source of revenue nowadays. Traveling was, and still is, in trouble.
Most of the time, concertgoers and music fans only get to see the most heartfelt parts of an artist’s tour (the concerts). Most music tours are a never-ending roller coaster of anxiety:
Setting up logistics
- Speaking of venues
- Eating budget fare (and sleeping on buses)
- I spent a lot of time away from friends and relatives.
Despite the numerous difficulties, travel was a reliable source of revenue. Everything changes when COVID-19 enters the scene. Even if the pandemic’s grip on the live music industry is beginning to lessen, if concerts ever return to their pre-pandemic status quo, it will take some time.
Currently, musicians face the most difficult circumstances in history. However, there is a benefit in the shape of web3.
Web 3.0 empowers artists
It is difficult to define web3 since it is similar to how we define social media. It’s a wide term that covers both a specific blockchain technologies advancement and a phenomenon in a society that is drastically changing.
Decentralization and transparency are the two pillars upon which web3 is constructed, as opposed to the top-down, hierarchical techniques of control that have dominated the internet since its inception in the early 1990s. This description is a nice place to start, though.
The blockchain, which is essentially an immutable digital record, is at the core of Web3, which also includes other non-fungible tokens (NFT), the metaverse, and other modern blockchain technologies.
Web3 is still in its development, yet it has already changed the music industry. Consider the metaverse, for instance. Numerous businesses have offered their views of the “metaverse,” a term that has been tossed about. However, the metaverse has unquestionably expanded the creative possibilities and audience engagement strategies available to artists.
What does Bonnaroo cost? Music in the metaverse is about accessibility. On a shoestring budget, you may spend $1,000 to $2,000 in total. That’s a significant sum of money, and now you may attend a music festival. However, anyone with a [VR] headset may access a new entertainment realm in the metaverse.
However, compared to the actual world, traveling may be simpler for artists in the metaverse. From the perspective of an artist, it’s intriguing. This is particularly true for musicians whose whole careers have been spent traveling; they’ve gone out, made a living by performing at concerts or other events, and may have reached the point when their bodies have had enough. It uses up a lot of one’s energy.
Hope and difficulty are ahead
NFT, or the “currency of web 3.0,” is what Blockparty CEO Vlad Ginzburg refers to as the mainstream use-case for cryptocurrencies.
Artists may oversee the contracting and minting processes to make sure that collectors can get their coins.
Lively, a website that connects musicians, producers, and fans during the pandemic, and Blockparty have announced that they will work together.
Being an artist right now is fantastic. When the music industry appeared to be dead, NFTs began to appear as a powerful tool that might aid artists in regaining control over their careers and reviving a vibrant relationship with their audience, which may have given people pause about the idea of music in the natural environment. The music on Web 3.0 was still just getting started.
For prospective Web 3.0 musicians, a significant hurdle continues to be a lack of formal education. So, NFTs are easier to get than most people think because they use decentralized databases to prove ownership 100% of the time.
NFT drops should always be customized for the audience and goals of the developer. “We want artists to distill their creativity and the impact it has on their communities, then consider how they may give their audience more agency and what they might hope this NFT would inspire them to do. Making a new contribution to the Web 3.0 ecosystem is a value addition.
Similar possibilities may be seen in the metaverse, where organizations like Soundscape VR collaborate with artists to create virtual experiences that are tailored to each artist’s fan base and aesthetic.
How to Invest in Music NFTs
As an artist, you can create NFTs and sell them to fans and investors or use your digital assets as a consumer. Don’t be afraid to experiment, and don’t put all your eggs in one basket.
How to Create and Sell Music NFTs
If you’re a musician, you may be wondering how you can create a music NFT album. This is the process of creating a unique token that represents your music file. Once minted, you can start selling it to fans or list it on an NFT marketplace.